I have an interdisciplinary practice focused on materials relationship to liminality and the ethereal. I am deeply engaged with the porosity and liquidity of matter and its relationship to time and energy. Within my practice, material agency is a paramount consideration for how work is developed. The expression of a material's properties are considered through their inherent qualities as well as how they react to other materials and forces. My fascination with liquidity and porosity have led me to engage with processes such as mold-making/casting and photography. Within my practice questioning human experience and its relationship to material is as important as thinking through matter and its relationship to the cosmos. This tenuous relationship between emergence and return, flesh and earth, is an idea that I often work through by approaching bodily relationships to material and site. Work is frequently presented in the form of sculpture, installation, and, more recently, photography and often establishes space in which a participant may wonder about their relationship to time, place, and corporeality.